EDITORIAL NOTE: To understand how we do our reviews, please refer to our review of Revolution, here.
ELEMENTARY stars Jonny Lee Miller as detective Sherlock Holmes and Lucy Liu as Dr. Joan Watson in a modern-day drama about a crime-solving duo that cracks the NYPD’s most impossible cases. Following his fall from grace in London and a stint in rehab, eccentric Sherlock escapes to Manhattan where his wealthy father forces him to live with his worst nightmare – a sober companion, Dr. Watson. A successful surgeon until she lost a patient and her license three years ago, Watson views her current job as another opportunity to help people, as well as paying a penance. However, the restless Sherlock is nothing like her previous clients. He informs her that none of her expertise as an addiction specialist applies to him and he’s devised his own post-rehab regimen – resuming his work as a police consultant in New York City. Watson has no choice but to accompany her irascible new charge on his jobs. But Sherlock finds her medical background helpful, and Watson realizes she has a knack for playing investigator. Sherlock’s police contact, Capt. Tobias “Toby” Gregson (Aidan Quinn), knows from previous experience working with Scotland Yard that Sherlock is brilliant at closing cases, and welcomes him as part of the team. With the mischievous Sherlock Holmes now running free in New York solving crimes, it’s simple deduction that he’s going to need someone to keep him grounded, and it’s elementary that it’s a job for Watson. Rob Doherty, Sarah Timberman, Carl Beverly and Michael Cuesta, who directed the pilot, are executive producers for CBS Television Studios. – CBS
Score: 88 out of 100
Initial Impressions (September 6, 2012):
Shawn: When we first heard about Elementary, we wanted to repeatedly punch ourselves in the face because we are kind of tired of seeing the U.S. television industry lazily copy the success of magnificent BBC programming by stealing their shows and then thoroughly screwing up what has made the BBC versions so great to begin with. To make matters worse, someone thought it was a great idea to send Holmes to New York and making matters even worse, casting Lucy Liu in the Watson role. So, unlike the BBC’s Sherlock, which we’ll go as far to say may be the best show on television regardless of what side of the Atlantic you’re on, this adaptation of Doyle’s masterpiece not only has set the characters and the story in the modern era, but they’ve also gone so far as to change the locale to a completely different continent, ergo, destroying part of what makes Sherlock Holmes Sherlock Holmes, and they’ve changed Doctor Watson from a male, British Army Doctor to a female Asian-American surgeon. Fantastic. Despite that, after watching the trailer, it really doesn’t look bad. Don’t get us wrong, it’s no Sherlock, but it doesn’t look awful. That being said, don’t fool yourself, the lame suits at CBS have brought us, yet again, another police procedural with a gimmick (see: Numb3ers, Unforgettable, CSI and The Mentalist for recent examples of CBS doing this).
Initial Impressions (September 8, 2012):
Redeye: Lucy Liu in what could be a compelling crime procedural show. Only problem is, it’s a crime procedural show. Won’t someone please tell CBS that those are played out already?
Shawn: We both got it right and I am relieved to say that although Elementary is not as good as the BBC’s Sherlock, it’s still an incredibly worthy entry in the mythology of the Doyle franchise.
I wanted to bring Sherlock up immediately and discuss it regularly because it’s the biggest elephant in the room of all and it needs to be addressed so we can move on. Elementary is not Sherlock but how the hell could it be? BBC shows are in a completely different class than American shows. It’s not even a fair fight. The BBC is a government-owned entity and has been its entire existence and is not nearly as dependent on advertising and 18 – 49 viewership as privately-owned American networks are. When the BBC greenlights a project, it’s from a perspective that quality programming begets more viewership. That’s not how it works in the U.S. The model here is to present a product that has the most likelihood of gaining the attention and eyes of the 18 – 49 crowd on a weekly basis, quality of programming being a secondary consideration. This really is an apples and oranges comparison.
There is ZERO chance that Sherlock could ever be produced in the U.S. with its 90-minute feature-film run times and three-episode seasons. It just isn’t possible except for maybe on a premium network like HBO. It’s not a coincidence that the vast majority of BBC programming that has found its way to this side of the pond has found its success on PBS (including Sherlock), a not-for-profit entity funded exclusively by donations and government grants. So, as someone who enjoys quality television programming, not only am I thankful for what the the BBC offers, I’m beginning to appreciate the government-funded model for the arts (because television is an art) that has been the tradition in the U.K. since the BBC’s inception and I would actually prefer that the U.S. follow their lead.
That being said, I am aware that the possibility of that occurring is slim to none and I’ve come to accept how the U.S. television industry works, warts and all, and that quality programming is possible even when working within and around the standard guidelines. I’m reminded of shows like Lost that managed to find an audience on ABC because it was three years into the series before audiences realized that they were watching a Science Fiction serial, which they had generally given up on a decade earlier. The fact is that 22-episode police procedurals generally succeed in the U.S. by just moving the pieces around and cutting and pasting and that, to an extent, is why Elementary works here so well.
As I’ve noted, what’s become more and more commonplace is the the police procedural with the main character possessing some kind of uncanny and unique ability that’s not supernatural, however it does give them an advantage and greater ability to solve crimes. These shows have found a lot of success and though I’m generally skeptical of them because I come from the perspective of “you’re not fooling me, I can smell a generic procedural a mile away,” that didn’t happen with Elementary because like its BBC counterpart (which I grant is far more epic), it’s not about the ability, it’s about the characters of Holmes and Watson themselves, and they are portrayed masterfully through both writing and acting by Miller and Liu.
One of the things that needs to be noted as to why Sherlock is so good is because, frankly, Steven Moffat is a better writer than Doyle ever was and his main character’s persona being that of a self-described “high-functioning sociopath” (which was easy to call before he even admitted it) elaborates on themes only hinted at in the original work. Why it works is because the writing never strays from that model nor do they stray from Watson’s model of the damaged, somewhat angry and lonely former soldier trying to make sense of it all while possibly being the only person that is capable of reigning in the eccentric consulting detective. The point of this is that Moffat has smartly taken the template for the classic characters and re-imagined them while staying true to Doyle’s original intentions and this is exactly what Elementary does and it should be celebrated for doing it as effectively as it does, despite the handicap of being on American network television.
Miller is as perfectly cast for this Holmes as his long-time friend Cumberbatch is cast for his Holmes on the BBC’s hit. Shockingly, Lucy Liu is an excellent Watson who serves to bring fresh perspectives that Holmes is frankly incapable of due to his inability to maintain normal interpersonal relationships, regardless of who’s writing the character. As brilliant as Holmes is, even Doyle made a point to highlight his many weaknesses and in this version there is far more emphasis on the implied drug abuse issues than have been in the past. Other than the drug abuse issue, Holmes’ biggest character flaw is that though he may understand the human psyche and mentality, his own ego and inability to experience empathy has always been his downfall as well as ignoring the obvious when sometimes a cigar is just a cigar. A strong Watson is an absolute necessity in order to humanize Holmes and Liu does it aptly but don’t expect any romance between the two because it’s not even hinted at a little bit and I think the writers are aware that going that route would effectively be the sign that the show has officially jumped the shark.
Rounding out the trifecta is Aidan Quinn playing the role of Lt. Gregson (basically the equivalent of the D.I. Lestrade character on Sherlock), an NYPD detective who has had experience with Holmes and his unique abilities since his stint in London post-9/11 and respects his insights greatly to the point where he depends on them. I like Quinn in this role – again, another perfect job of casting. Quinn’s best performances in my opinion are where he plays the strong every man. I think he’s been short-changed in his career in a lot of roles where the attempt has been to portray him as the larger than life leading man or the villain. He’s far more Jimmy Stewart than he is Cary Grant and his understated performance here brings a calming influence yet he still exudes a sense of leadership despite the fact that much to the dismay of the younger detectives under his command, he often defers to the expertise of Holmes. Gregson comes off as a character who has had enough experience professionally to know that in order to be as good as he is at what he does there is a greater wisdom in deferring to the experts at the sake of even your own ego, even if that means placating Holmes’ already massive ego.
One of my biggest concerns was that Elementary was set in New York City and not London and that’s because if you’re a fan of the franchise, you know that the city of London is as much of an integral character to the stories as any of the actual performers. I’ve noted several times how effective a locale can be for a series when done correctly. Think of Los Angeles for The Shield or Albuquerque in Breaking Bad or the biggest example, the island in Lost. London in my mind has always been just as important to this franchise. The truth is that Elementary is so well-rounded that the locale is almost insignificant and New York works nicely for it.
This being a standard 22-episode American series, don’t expect the writers to re-imagine classic Doyle tales the way that Sherlock has done (there’s simply not enough of them to do this with and 43 minutes isn’t enough time to do them justice), but it is apparent that the writers for Elementary have been chosen well and have a masterful ability to weave a good yarn in the traditional Holmesian style. The pilot was incredibly impressive despite the fact that it was a one-off, killer-of-the-week story that is the hallmark for all procedurals. That being said, the best part of the story was being engaged in Holmes’ process and his uncomfortable interactions with other characters and most importantly there was no Scooby Doo ending and that alone makes it a winner.
Brilliantly cast, brilliantly written with no sense of needing to prove itself, Elementary is by far one of the best new dramas of the fall and it stands alone as an excellent tribute to the classic detective. The biggest issue I have with the series is that CBS, being the scared little babies that they are, actually used the hashtag #Sherlock during the pilot to generate buzz for the series. That’s cheap and unnecessary and it shows that as much confidence that the writers and producers have in the series, CBS is a little more skeptical and is hedging their bets. Dumb across the board.
Chance of Renewal: 100%
It’s already huge and with Person of Interest as its lead-in, CBS has a one-two drama punch on Thursday that’s going to be impossible to beat.
Watch Elementary, here.